What astonishes me is how you can cajole a piece of inert metal into such intense, concentrated movement . . . the sculpture replicates the sense of movement, dynamics and engagement that a musician at the top of his game can have with a piece of music. There are two essential aspects  . . . .  the semi-crouching left leg and the dropped right shoulder. The man is bending himself into the music…. he’s playing… he’s just in there.”     George 2017